An occasional diary of days in the life of Jan Windle

Showing posts with label Janice windle. Show all posts
Showing posts with label Janice windle. Show all posts

Monday, 26 April 2010

Cornwall in April 2010


The weekend after Easter, we drove down to the church of St Juliot on the single track lane that leads from the Boscastle road, off the main coast road, the A39. The roads were almost empty, the sky a luminous blue. A sunny April must be one of the most pleasant times of year for a visit to North Cornwall, I thought. We trundled down the little track with the sun slanting over the ancient hedgerows and through the wind-sculpted trees that had been allowed to grow from them. 


St Juliot is perched in a hollow in the hillside, its gravestones leaning under trees that were not yet in leaf, so that we could see the square Norman tower and the picturesque conical “ears” at each corner of the square tower that were added to Norman church towers in North Cornwall in the nineteenth century.  
The longest side of its little graveyard overlooks a wide green valley, sheep and horses grazing across on the far side. What we already knew about St Juliot’s was that it is one of the oldest churches in the area and that Thomas Hardy’s first wife was from the parish. She  is buried in her family’s plot in St. Juliot’s Church.

Emma met Thomas Hardy when he was in charge of the restoration of St Juliot’s church. She was the churchwarden’s daughter and they fell in love and married. She is buried with her family there and Hardy is buried in Westminster Abbey, but a plaque commemorates his link to the church. A beautiful engraved glass window is dedicated to Hardy. There are also copies of drawings that Hardy made of the church.

Donall was enraptured by the details of the ancient stones and their inscriptions and took charge of the camera to take pictures of everything, inside and out.


Too late, we realised that we should have recharged the camera’s battery overnight, but before it totally ran down we explored the possibilities quite thoroughly.

We drove back to Lower Tresmourn Farm, our B&B, to put the camera battery on charge.  Lunch at the Wainhouse Inn, on the A39 about a mile away, was an unexpected success. The restaurant has recently changed hands and it was bright and welcoming, the service was friendly and quick and the food was really delicious. We had baked haddock on a bed of potatoes, spinach and chorizo – absolutely perfect.

With the battery charged up, we set off again, this time to see the church of St Genny’s, a hamlet near Crackington Haven.  Tresmourn's address is Crackington Haven, though it stands outside the village itself, high on the cliff above.

St Genny’s is on a lane leading northwards along the cliff, only a mile or two away by road. The church stands on the top of the cliff, separated from its edge by a broad field and the churchyard wall, with a steep incline to one side of the churchyard. Below the church, in the dip, is the rectory.  The sea was a blue mist to the horizon.


Originally the focus for Christian worship here was the Holy Well which can still be seen near the gate to the churchyard, a spring of pure water that still supplied domestic water for the village up to the 19th century.


 In 650AD the Augustine monks would baptise and preach there, in the open air, a stone cross set up nearby. There may have been a Saxon church built here in the late 900’s, of which nothing substantial remains.

In Henry I’s reign, between 1100 and 1135, the “new” Norman church was begun. Originally the square tower had a pyramidical tower, but in 1910 this was replaced by the present upper storey, with the characteristic four “ears" at the corners.

We placed £3.50 in the trust-box inside the church, for the excellent little account of the history of St Genny’s church by a local historian, Christopher Berry, from which I’ve gathered the snippets of information I’m including here.


St Genny’s name seems to derive from a saint local to Llandough, in Glamorgan, Wales, from where Augustine monks travelled by boat to found the Holy Well on the present site. When the Normans recorded their possessions in the Domesday Book after 1066, the saint was not recognised by the Holy Roman establishment and the name was ascribed to St Genesius of Arles instead. The modern name is the Celtic, St Genny’s.  

Inside the church we found evidence of the rich creative life of the modern parish and a nave flanked by a Norman arcade of Polyphant Stone, a soft stone which allows rich carving. (Polyphant is a village near Launceston, further inland). This northern aisle was added to the earlier Norman building in 1350, when the parish was owned by the diocese of Launceston, about fifteen miles away.

This is the Baptismal Holy Stoop (the font) inside the church, which was removed from the church in about 1500 and only only rediscovered and replaced here in 1906 when the Church Warden found it on a stone heap about three miles from the church. He brought it back and had it examined by an architect who thought it was Norman.  Plaster was removed from the northeast corner of the church and the font was found to fit the gap exactly!

For the rest of St. Genny’s chequered architectural, social and ecclesiastical history (for instance its active role in the rise of Wesleyanism in the area)  I’d thoroughly recommend Christopher Berry’s little book, which was published in 2002 by the St Genny’s Gazette. Its ISBN is: 0 9536919 1 8.

The gravestones in and outside the church record the families who are the players in the colourful past of St Genny’s. Crackington Haven with its jagged black rocks and cliffs and fierce Atlantic storms was frequently the setting for shipwrecks – there are traditional tales of evil men luring cargo ships on to the rocks with lights, to salvage their cargoes.
One family of scoundrels that Berry records from his research were William, Simon and Thomas de Gennys who on 27th December 1357 burst into Poundstock Church, while Mass was being held, and “with swords and cudgels brutally slew William Penfound clerk” [that is, the local priest}. This seems to have been part of an ongoing feud, because in 1350 Roland Penfound had been pardoned for the murder of a member of the St Gennys “gang”, Nicholas de Beer. The de Gennys seem to have been involved in piracy and wrecking activities in 1342 and 1346. They also vandalised the lands of the Black Prince at nearby Swannacote in 1348. Yet this same William de Gennys was also Collector of the King’s Subsidies in 1349!

The oldest gravestone in the church is that of Benet Mill who died in 1593. Benet’s son-in-law, Christopher Bligh, is also buried here, at his own request. He died in 1605, the wealthiest man in the parish. Berry speculates that Bligh may have been the ancestor of Captain Bligh of the Bounty, who came from St Tudy, not far away.   Tales of heroism are recorded among the tombstones of the church. On January 11th 1894, the Swedish brigantine “William” was wrecked at Crackington Haven and only one crew member, the mate. was rescued, by the bravery of local men, Mr Jewell, Mr Brendon and Mr Hugill among others, who “in blinding showers of hail and rain searched the cliffs and beach for some distance in hope of others of the crew.” (Devon & Cornish Post, 3rd February 1894, quoted by Berry on page 78 of the second printing). Seven more bodies were later washed up. A cross in St Genny’s churchyard records the incident.


Berry also reproduces a photograph which is probably of the figurehead of the “William” set up over the grave of Captain Richardson and his crew, originally published in “Sea Breezes” magazine in 1929, which may have been taken by Thomas Hardy at the turn of the 20th Century and is captioned, “A curious custom of Cornwall graveyards was the setting up of the Figurehead of a wrecked vessel over the grave of her drowned sailors. Photo by Thomas Hardy”. Berry speculates that this picture may have been taken thirty years before, by the writer, who was then living  nearby at St Juliot.
The tombstones record other tragedies – for example, the deaths of a family of young children, in 1693, recorded on a stone plaque on the wall of St Gregory’s chapel (now half hidden by the recently installed organ). A stone cross stands in the churchyard over the bodies of sailors washed up after the wreck of the SS City of Vienna in November 1900.

We were only in Cornwall for a couple of full days but we got to know the area better than I ever had before. We had three meals at the Cobweb Inn in Boscastle, including their excellent Sunday lunchtime carvery, where we overate at very little cost. We optimistically entered the pub’s Grand National sweepstake – even went back next evening to check if we had won (we hadn’t and nor had any of the pub customers, there are so many runners in that race.)

Boscastle, the site of the devastating flood in 2003, enchanted Donall – it would have done so even without its restored Witchcraft Museum. The village is a sparkling little place, its fishing cottages newly painted and the fishing boats at the quayside unbelievably picturesque. I sat for a while in the sunshine and drew the view of the quay from the cliff, while Donall set off up the other side of the steep cliff-path with the camera. Then at the quayside I watched a fishing boat, the Industrious, unloading lobster pots, and drew the scene as fast as I could – the boat left before I’d got much done, but Donall took some good photos of the same lobster pots.

We tried the beach at Crackington Haven but the weather, though bright, had turned breezy and cool. Even in Bude, where the beach offers more shelter in the lee of the rocks, it was too cold for the sunning we’d hoped for.
We went back to St Genny’s for a few hours, the morning we left Cornwall - I wanted to try a drawing of the church and its setting in the hillside, so Donall took the camera while I sat on a flat gravestone and tried to draw the long nave and the eared tower, the ancient salt-worn tombstones and the primrose- strewn bank which half hid the building. My attempt was so inept that I shall not post it here. Donall’s record of the place is enough. Like any dedicated photojournalist, he risked life and limb to capture some of his best shots and was injured by a thorny branch that he’d pushed aside to angle his lens up to the lichen-rough cross over the porch.

We ended up at Stratton Hospital outpatients’ department, seeing a very kind and efficient nurse, my namesake, Jan, who applied salves and antibiotics to the eye – happily there was no lasting damage done and we drove the 230 miles back to Surrey with no further adventures......

PS .......  Before we left Tresmorn Farm, where we’d had a very comfortable three nights (and three excellent breakfasts too) I decided to leave Rachel and Chris Crocker a memento of our stay there – a painting that I made a few years ago of Hartland Quay, further up the coast in North Devon. We spotted a perfect place for it, where another picture had fallen down and not yet been replaced. So there it hangs...






Tuesday, 27 November 2007

Work in progress



This is "Positano from the East no 2" in designer's gouache on A2 heavy watercolour paper. The intention is to achieve the jewel-like effect of a mediaeval or Indian painting, and so effects of light and shade ar subordinated to shapes and colours. It was begun two days ago and will take at least two more full days to complete.

Thursday, 22 November 2007

My birthday





I had a birthday yesterday - not a big one, or at least only one digit bigger than last year's - and I meant to put some effort into marking it somehow. I seldom have done anything much on my birthday because it's usually raining and I'm usually working (in fact one birthday I had to take a public exam, and another I had to go to a Parents' Evening as a member of staff, till 9pm). Also I usually have a cold on my birthday because it's that time of year.

Well, this year I had the option of not working (in fact I didn't have the option of working as it happened becauseI didn't get a call from the agency). The rain cleared up the night before. And I didn't quite have a cold. Just a tickly throat and a bit of a lazy feeling which might or might not have been down to some virus fighting with my white blood corpuscles.

I was going to drive down to see my daughter in Southampton for a meal, then come back and go to the theatre with Olwen in Guildford. To see a play that looked excellent but maybe esoteric enough for us to get last minute stand-by tickets.

By 9am everything seemed to be out of my control and spiralling down into the usual bad news birthday syndrome, apart from the fact that I wasn't expected to go to work. To start with, Alice phoned and said she wanted to come to Guildford instead of me going there. OK, I said, we'll all three go to the theatre. Boyfriend Mark was coming too, she said. Good, I said (I like Mark) I would cook instead of taking them out to eat, and try to get four tickets for the theatre.

Next, I phoned the theatre to see how bookings were going. Sold out for the whole week, they said. Immensely popular. Served me right for being an intellectual snob. Of course everyone in Guildford would want to go and see a modernised version of Philip Marlowe's "Faustus".

My sore throat began to make itself felt, helpfully, so that I could say to myself, "Just as well, I'm going to need an early night and a hot toddy by six o'clock." I broke the news to Olwen that our evening's theatre trip was a non-starter.

I popped out to get some salad and dry pasta, took a couple of photos of the trees along the road (brilliant blue sky again after all the darkness earlier this week), and as there was still an hour or two to go before Alice and Mark would be here I started cutting down the hedge that grows much too fast all year round, outside the front door. The weather was perfect, still and cloudless.

When Alice and Mark came in they were carrying a huge heart-shaped carrot cake with candles lit in my honour:



and a present that was very heavy, about two feet long, and roughly cylindrical. When I unwrapped it, I found this:




It's an extraordinary pot. I couldn't help exclaiming that it reminded me of someone I used to know. Mark found this very funny and said he was impressed, did size really count? No, I said, it's not the size that jogs my memory, it's the shape.

It's a lovely lustre glaze and will look beautiful with dangly grasses in it. Alice told me off a bit and then offered to get the lunch ready. The cake was delicious. Luckily they hadn't put as many candles on it as the years of my birthday. I did that on my fiftieth and the cake caught fire and nearly destroyed the curtains next to the table.

We had a very pleasant afternoon, talking over the dinner table. Alice had work to catch up on at uni and they went off in the early evening. I was glad I wasn't going out after all because the cold that had been hovering all week was making itself felt and I was starting to sneeze a bit. I went for a rest, intending to have the early night that I very seldom achieve.

But I woke up at nine and went down to see what had been happening on Myspace. When I turned on the computer I was overwhelmed by all the messages and comments that friends had sent and were still sending. It was great to exchange messages with so many people, some of whom I didn't know remembered me at all! So thanks everyone, whether you sent me a message or not - you are all so different, unique, all (or almost all, I suppose I should say, because you never know!) real living people with whom I'm grateful and proud to be in contact.

It rained in the evening, but for once it didn't rain on my parade.

About Me

My photo
Guildford, Surrey, United Kingdom
Like a butterfly emerging painfully in several stages I've morphed a few times in my life, from art student to teacher, from rebellious confused twenty-something to faithful wife and well-meaning mother, from bored middle-aged art teacher to egocentric freethinking Italophile and painter. For the last few years I've been writing poetry and painting, drawing illustrations for my own work and other peoples's, and sharing as much of my time as possible with Donall Dempsey, the Irish poet who has owned my heart since I met him in 2008. We've spent working holidays together since then, writing, painting and enjoying ourselves and each other's company in a variety of places from New York to Bulgaria. We visit the Amalfi Coast in Italy every year, on a pilgrimage to the country that that I believe saved my life from sterility and pointlessness back in 2004. I'm looking forward to a happy and creative last third of life - at last I believe I've found the way to achieve that. I have paintings to sell on my website, www.janwindle.com, and books and prints at www.dempseyandwindle.co.uk. But I'll keep on writing and painting whether or not they find a market!